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GRAVEWITCH Unleashes New Music Video “Mistress of Hate” from Self-Titled Album Out Now!

Extreme metal duo Gravewitch have released their brand-new music video “Mistress Hate,” a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.
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Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitch was born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.

“We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.
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Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.
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​Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision. Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimationsummons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devil about serial killer H.H. Holmes. Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Fallout delivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Life closes the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.

“Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,”adds Fleming.

The new video “Mistress Hate” captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video Circle of Power from their first album “The Summoning.”

Watch “Mistress of Hate” – https://youtu.be/ppa8bA5rk0A​

Recommended for fans of Gravewitch‘s self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

Bandcamp (CD) – https://gravewitchofficial.bandcamp.com/album/gravewitch​

Add to your Spotify playlist – https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM​

Track Listing:​
1. Damnable Evil (4:24)
2. Phantasm (4:21)
3. Mistress of Hate (4:13)
4. Ritual Reanimation (4:35)
5. Atmospheric Alterations (4:31)
6. White City Devil (4:00)
7. Woodland Trance (5:09)
8. Systematic Fallout (4:21)
9. Operation Overlord (5:27)
10. The Once Sacred Gift of Life (3:32)
Album Length: 44:38

Album Credits:​
All songs performed by: Chris Fleming & Andrew Ingraham
All songs written by: Chris Fleming & Andrew Ingraham
Produced by: Johnny Davis
Mixed by: Johnny Davis
Mastered by: Jay Maas
Artwork by: Agustinsane Iryanto

Band Lineup:​
Chris Fleming: Guitar/Vocals/Bass
Andrew Ingraham: Drums

More info: Facebook.com/gravewitch |Instagram.com/gravewitchofficial​

  • keith
    Web Admin / Editor

    Keith is a contributor and content uploader for Mighty News Online, helping to keep the platform updated with fresh stories, features, and music coverage from across the UK and beyond. As the main person responsible for uploading articles, his name may appear on pieces written by external contributors who don’t yet have their own account on the website. His focus is on maintaining accuracy, supporting emerging talent, and ensuring MNO remains a reliable, accessible source of independent news.

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